Empires of the Silk Road

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By David A. Taylor

I had only walked three minutes from my hotel in Bishkek, Kyrgyzstan’s capital, when I stumbled upon a former empire.

Coming to Kyrgyzstan last fall, I wanted to see what remained of the Silk Road that snaked through that spiky Central Asian country for centuries, bridging the vastness of Asia and the West with caravans bearing silk, gems, and spices. In the ancient city of Osh in the south, for instance, remnants of Asian, Russian, and Persian realms still weave together in surprising ways.

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That crisp morning in Bishkek I paused at bouquets of flowers leaning against a statue of Lenin. It was the Day of the Great Socialist Revolution, and Communist Party faithfuls still gather and make speeches here while waving red-starred flags and driving Cold War-vintage cars. Though now officially called the Day of Reconciliation and Agreement, the fact mattered little to party members who hooked up a portable sound system and addressed the crowd in the grand old, rambling style.

Kyrgyzstan is steeped in history, with a Russian presence going back to the 1800s, when the czar vied with Europe’s empire builders and redrew Russia’s map of Central Asia to include “Kirgizia,” prompting local uproar and causing many Kyrgyz.
The country eventually became a full Soviet Social Republic in 1936. Strolling across Bishkek’s vast Ala-Too Square, I passed another statue, this time one of the Soviet era’s leading authors, Kyrgyz writer Chingiz Aitmatov. In a display of Kyrgyzstan’s culture of reading, families were having their photos taken beside him.

Aitmatov, no apparatchik mouthpiece, probed the conscience of the Stalin era. My suitcase had a D.C. library copy of his play, The Ascent of Mount Fuji, which hinges on a reunion of World War II veteran friends in the mountains near Lake Issyk Kul. Secrets and guilt churn just below the surface, in a sort of a Soviet The Big Chill.

Leaving Bishkek, I headed south and after a ride through the storied markets of Osh, rode out into the snowy Pamir Mountains. The landscape evoked the Old American West: dry canyons, snow-tipped ridges and peaks, cowherds and a lifestyle that has changed little in centuries. These were the yurt-dwelling nomadic villages that had endured after the great empires fell.

In the south my guide was Arslaen, who had close-cropped hair and a personal history that includes a Greyhound trip from Seattle to New York and a year bartending in Turkey. The ringtone on his cell phone had a spaghetti Western sound—I thought it was the theme to High Plains Drifter, but he informed me that it was the Scorpions’s “Wind of Change.” His favorite author is Aitmatov.

In the town of Chong-Alai, where we had arranged a homestay with a local family, I could imagine the reality of life in a caravan. First thing in the morning and last thing at night, as I headed through the snow to the outhouse, real life on the Silk Road became bracingly clear. And though my host family hauled water long distances for cooking and drinking, in the talk over meals they showed a nimble humor and worldly awareness.

My Lonely Planet guide to Central Asia included a “Greendex” that rightly highlighted Kyrgyzstan’s investment in community-based tourism. By embracing a model that directly benefits local operators with minimal interference from middlemen, the country has managed to reinvent itself as a budget travel destination, and preserve its landscapes and local craft traditions in the process.
Kyrgyz music and storytelling reflect the ancient Muslim empires that took refuge in these mountains. As Michael Morgan recounts in his fascinating book, Lost History, when the Fāṭimid dynasty—which had shaped medieval Cairo as a global center of learning from the 10th to 12th centuries A.D.—shifted its base eastward to Persia, its sophisticated culture left a deep mark in the region.

Yet, conversations in Kyrgyzstan still turn unexpectedly to the Soviet era. One morning in Naryn, a pleasant town nestled between ridges 40 miles from China’s western edge, I sat with several country veterinarians as they talked about treating camels, performing C-sections on cows, and managing the risks of animal epidemics since the Soviet Union’s collapse.

This echoed a story I had heard in Bishkek from a Kyrgyz veterinarian named Madalbek who recalled even rougher days in the 1930s, when his grandfather struggled to protect their animals, first from the insurgents, then from Stalin. When the dictator’s men threatened to send the grandfather to the gulag, the family fled more than 100 miles east to Kashgar, another ancient trading hub in China. “Everyone just got on their horses and took off,” Madalbek recollected. “It was summer.”

And, of course, there is a third empire looming at the end of the Silk Road: China. In Naryn, I watched as truckers stopped in the white dusk of early winter to lay out chains on the ground in preparation for a starlit crossing of the jagged peaks. Seeing as we had already witnessed several rigs jackknifed on the icy switchbacks, this was a chilling encounter. I can still hear the sound of their chains rattling as we passed on the narrow road.

Back in Bishkek, I realized another empire stalking the Silk Road is the one I came from. When Bart Simpson appeared on my hotel TV screen with a star and crescent over his head, East and West truly merged.

come fotografare i fuochi d artificio

In occasione di san Giovanni ecco una piccola guida su come fotografare i fuochi d’artificio, può essere difficile, ma non è impossibile. In questo post, consigli tecnici e trucchi per ottenere il meglio da questo spettacolo notturno e immortalarli dal vostro punto di vista.

Fotoconsiglio1: Spegnete il flash e impostate la macchina fotografica in modalità manuale. Così potrete controllare voi stessi l’apertura del
diaframma e il tempo di esposizione. Come punto di partenza consigliamo di impostare la macchina a 100 ISO, con diaframma f/11 e un tempo di 1/2 secondo. Se le foto risultano troppo buie, aumentate il
tempo d’esposizione, ma mantenete il diaframma a f/11.
Fotoconsiglio 2: Per fotografare i fuochi d’artificio occorrono esposizioni lunghe, e quindi il rischio di un effetto mosso. Procuratevi un treppiede
solido e, possibilmente, uno scatto flessibile. Se la vostra inquadratura non comprende solo il cielo ma anche altri elementi del paesaggio, è di
fondamentale importanza che la linea dell’orizzonte sia dritta, cioè in linea con la base dell’inquadratura. Assicuratevi che la macchina montata
sul treppiede sia perfettamente in linea.
Fotoconsiglio3: Cercate di variare le inquadrature. La lunghezza focale ideale non esiste; dipende dalla vostra distanza dalle esplosioni e da ciò che
volete inquadrare. Se cercate uno scatto “stretto” che mostri i dettagli dei fuochi d’artificio stessi, l’ideale è un teleobiettivo da almeno. 200 mm. Se utilizzate un zoom, ricordate che cambiare la focale
implica quasi sempre anche un cambio della messa a fuoco. Anche in questo caso, consiglio di fare prove con le varie focali prima dell’inizio dello spettacolo, quando c’è ancora luce.
Fotoconsiglio4: Un buon modo per catturare l’azione per intera è la posa “B”, che vi permette di creare delle esposizioni lunghe per tutta la durata di un’esplosione. Per farlo però consigliamo l’uso dello scatto flessibile; così non dovrete toccare la macchina e non rischiate l’effetto mosso. Aprite l’otturattore appena il razzo viene lanciato, e
tenetelo aperto fino alla fine dell’esplosione, in genere qualche secondo.
Buon san Giovanni!!!

per voi da readyscovery

L’isola paradiso degli aborigeni

Le divinità degli aborigeni volevano un Eden in Terra. Perciò crearono Fraser Island. L’isola australiana ha ispirato artisti e scrittori. Una campagna ambientalista negli anni Settanta ha fermato il saccheggio della foresta e delle spiagge per l’estrazione di minerali. Ora è una straordinaria attrazione turistica.

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Merlata di spiagge e punteggiata di dune, Fraser Island si stende sull’oceano per oltre 120 chilometri di lunghezza e circa 24 di larghezza.
I suggestivi paesaggi dell’isola hanno ispirato i più grandi artisti e scrittori australiani, e negli anni Settanta i suoi delicati ecosistemi sono stati oggetto di un’appassionata campagna ambientalista che ha fermato il saccheggio delle spiagge per l’estrazione di minerali e quello della foresta per il legname. Per le successive generazioni di residenti e turisti l’isola è diventata un prisma attraverso cui osservare e ammirare la bellezza del bush australiano in tutte le sue sfumature.

4 sorelle una foto ogni anno

4sisterspics12

May 8th, 2013

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Wow, we were amazed by this stunning time-lapse photography project: 4 sisters take a picture every year between 1975 and 2010. In each photo, the Brown Sisters pose in the same order — Heather, Mimi, Bebe, and Laurie… In the first photograph they are between 15 and 25 years old..

It takes you to several ages, styles, haircuts etc.. but one thing always remains.. a strong family bond

1975
4sisterspics 4 Sisters Take a Photo every year

1976
4sisterspics02 4 Sisters Take a Photo every year

1977
4sisterspics03 4 Sisters Take a Photo every year

1978
4sisterspics04 4 Sisters Take a Photo every year

1979
4sisterspics05 4 Sisters Take a Photo every year

1980
4sisterspics06 4 Sisters Take a Photo every year

1981
4sisterspics07 4 Sisters Take a Photo every year

1982
4sisterspics08 4 Sisters Take a Photo every year

1983
4sisterspics09 4 Sisters Take a Photo every year

1984
4sisterspics10 4 Sisters Take a Photo every year

1985
4sisterspics11 4 Sisters Take a Photo every year

1986
4sisterspics12 4 Sisters Take a Photo every year

1987
4sisterspics13 4 Sisters Take a Photo every year

1988
4sisterspics14 4 Sisters Take a Photo every year

1989
4sisterspics15 4 Sisters Take a Photo every year

1990
4sisterspics16 4 Sisters Take a Photo every year

1991
4sisterspics17 4 Sisters Take a Photo every year

1992
4sisterspics18 4 Sisters Take a Photo every year

1993
4sisterspics19 4 Sisters Take a Photo every year

1994
4sisterspics20 4 Sisters Take a Photo every year

1995
4sisterspics21 4 Sisters Take a Photo every year

1996
4sisterspics22 4 Sisters Take a Photo every year

1997
4sisterspics23 4 Sisters Take a Photo every year

1998
4sisterspics24 4 Sisters Take a Photo every year

1999
4sisterspics25 4 Sisters Take a Photo every year

2000
4sisterspics26 4 Sisters Take a Photo every year

2001
4sisterspics27 4 Sisters Take a Photo every year

2002
4sisterspics28 4 Sisters Take a Photo every year

2003
4sisterspics29 4 Sisters Take a Photo every year

2004
4sisterspics30 4 Sisters Take a Photo every year

2005
4sisterspics31 4 Sisters Take a Photo every year

2006
4sisterspics32 4 Sisters Take a Photo every year

2007
4sisterspics33 4 Sisters Take a Photo every year

2008
4sisterspics34 4 Sisters Take a Photo every year

2009
4sisterspics35 4 Sisters Take a Photo every year

2010
4sisterspics36 4 Sisters Take a Photo every year

By Nicolas Nixon

scalata all Everest

The first successful ascent of Everest 60 years ago – in pictures
A new book published by the Royal Geographical Society celebrates the 60th anniversary of the first successful
ascent of Mount Everest, on 29 May 1953. Scroll through the gallery to view a selection of the 400 photographs in the book, some of which will be on display at an exhibition at London’s Oxo Tower Wharf, opening today
and running until 9 June

In 1951, after three decades of failed attempts to conquer Everest, an expedition led by Eric Shipton was sent to the region to seek a potential route to the summit. Among its members was an experienced climber from New Zealand called Edmund Hillary. This was followed by a training expedition to the area, while awaiting the outcome of two Swiss attempts to reach the
summit in 1952, both of which failed. Accompanying the Swiss climbers was a Sherpa by the name of Tenzing
Norgay.